Review by Samantha Finley The love for one’s home in Aimee Nezhukumatathil’s work is consistently explored and displayed through dynamic layers of both environmental and geographical contexts. This has been true from her 2003 debut, Miracle Fruit, to her subsequent collections, At the Drive-In Volcano, and Lucky Fish. In her newest, Oceanic, Nezhukumatathil elegantly embodies her Filipina-Malayali-Indian culture, while… Read more →
